Technically speaking, his specialties are: ADR, VO and Foley recording, editing and mixing; surround mixing (5.1); final mastering, (including M&E) soundtrack restoration and sound design/supervision.
He loves cinematic storytelling and the process that brings it to life. But helping to realize the soundscape of a film or video requires more than just the engineering expertise He’s developed over nearly two decades in Hollywood, and the last over half-dozen years in Europe. Becoming quickly adept with new, fast-paced workflows and making everyone feel comfortable—creatively, technically, and personally—right from the start, are skills he draws upon just as much as technical mastery.
